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The LAST SUPPER DRAMA

Your SPECIAL INVITATION to join us
for your
PLACE IN THE SON

See the famed wood burning of
LEONARDO DA VINCI'S
LAST SUPPER

Call the church office at (480) 982-4081 for the exact date and time of the next performance.

The Last Supper

A Characterization of the figures presented in
"THE LAST SUPPER"

Left to right: 1. Bartholomew, 2. James, the lesser, 3. Andrew, 4. Judas Iscariot, 5. Simon Peter, 6. John,
7. Jesus of Nazareth,
8. Thomas, 9. James, 10. Philip, 11. Matthew, 12. Thaddeus, 13. Simon

The saddest face in history or art is the face of Jesus as he says "One among you shall betray me." His left hand is spread open in innocency and surrender as he meditates on what he shall do in this crisis. His disciples upon hearing what he has said are talking among themselves:

Bartholomew, with inclined body and feet crossed, stares incredulously as he springs to his feet in amazement trying to hear what John will ask of the Lord.

James, the lesser, is stretching out his hand to Peter, as though to ask, "Can this be so?"
 

Andrew, one of the first to follow Jesus and known as a genial and modest man, is so overawed by such wickedness, he protests with upturned hands expressing his horror of the news as he shrinks from Judas.
 

Judas, looking up with terrified countenance, leans over the table, tightly clutching the money-bag in his right hand, while with the left he makes an involuntary nervous motion as if to say, "What may this mean?" His face shows a startled fear and he is smitten by a guilty conscience as he recoils from the Master. For the first time he has discovered himself to be the evil principle in opposition to the good.
 

Peter, brother of Andrew and referred to as "The Rock," rises suddenly in conformity with his vehement character and places his hand on John's shoulder, seeming to say, "Ask him, which one it is? Tell us who it is of whom he speaketh." He is ready to seek vengeance on the traitor. The handle of a knife held in his right hand touched Judas which caused the terrified forward movement upsetting the salt-cellar, so clearly portrayed.
 

John, the beloved and youngest of the group, brother of James the greater, is in great distress and all but overcome as with eyes closed he sinks back toward Peter. Jesus entrusted his mother into John's care at the time of the Crucifixion.
 

On the left of Jesus is Thomas, who was little known in the Bible, and who does not believe what Christ says. He raises his finger inquiringly as though he doubts Jesus' word, thus he becomes known as "doubting Thomas." His later teaching had a part in the founding of Missions in China and Asia.
 

James, the greater, known as the "Son of Thunder," gazed transfixed with outspread arms as with horror he starts back in terror like one who imagines that he beholds with his eyes what ears have heard.
 

Philip, young, mild mannered and demure, asserts his innocence by bending forward with his hands crossed upon his breast and saying with great clearness, "It is not I, Lord! Thou knowest my pure heart. It is not I!"
 

             The last three figures are discussing the terrible news:
 

Matthew, a tax collector, who left his duties in a custom house to become a follower of Christ, turns his face inquiringly to his companions on the left and stretching out his hands, pointing accusingly toward Judas as though to say, "He is the one."
 

Thaddeus (Jude), about whom little is known but whose name means dear or beloved, is showing the utmost surprise, doubt and suspicion. His left hand rests upon the table while he has raised the right as if he intends to strike his left hand with the back of the right. Lorenzo Ferri, sculptor, and painter in Rome, says he is convinced that the painting of "The Last Supper" by Leonardo da Vinci contains a self portrait of the artist, for a careful reconstruction of the lines in the features of Thaddeus reveals that these features match Leonardo's well known sepia self portrait.
 

Simon, the eldest of the group, sits at the end of the table with great dignity though his face shows he is troubled and thoughtful as does also his gesture. He is a lawyer and very zealous for the law.
The disciples, grouped in threes are all united to the central figure in subtle ways though the groups are separate. This carried out the theme that the disciples traveled in groups of threes.
 

When Leonardo da Vinci had finished his painting of "The Last Supper," he had painted the cup in the right hand of Jesus. His hand is in the position as though holding the cup. He called a friend into his studio to inspect the painting.


"Give me your candid criticism," said Leonardo. "It is marvelous," exclaimed the friend. "That cup stands out from the table as if it were real. I cannot keep my eyes off it." Then Leonardo took a brush and drew it across the sparkling cup. "If it affects you thus, it shall not remain," he said. "Nothing shall distract attention from the figure of Christ." So he painted out the cup.



THE LAST SUPPER
By: Cuyler Thompson
As we view this scene, on our left is Nathaniel, surnamed Bartholomew, James the Less, then Andrew. In John 1:41 "He first findeth his own brother, Simon and said unto Him, 'We have found the Messiah, which is being interpreted, the Christ".

Next is Simon Peter, who delivered the first soul-stirring sermon on the day Pentecost. In Acts 2:38 - "Then Peter said unto them, 'Repent and be baptized every one of you in the name of Jesus Christ for the remission of sins, and you shall receive the gift of the Holy Spirit". In front of Simon Peter is Judas Iscariot who betrayed Jesus with a kiss. Next is John, the beloved Apostle who wrote the Gospel of John, Revelation and some epistles in our Bible.

In the center we have Jesus, the Christ, the only begotten son of the living God, who was crucified on Calvary for our sins. On Christ's left we have Thomas. In John 4:6, "Jesus said unto him, I am the Way, the Truth and the Life; no man comes unto the Father but by me".

Next is James, the brother of John. Next is Phillip who brought Bartholomew to Christ. Then we have Matthew, also called Levi, a tax collector when Jesus called him. He wrote the Gospel of Matthew. Then Thaddeus and on the end is Simon the Canaanite.

 
The dark floor planks in front of Jesus express the purpose of the picture. Wherever you are in the sanctuary the plank will face you. Let your eyes follow along the plank and you will be led to the artwork's center - Jesus Christ.


This 8' x 16' work of art was sketched in sections. There are a total of 18 sections: Seven which are 30'' x 48", four are 24" x 48", two are 24" x 30", three are 12" x 48" and two are 12" x 24".


The burning was done with soldering irons ranging from 40 watt size to 120 watt. Both hands must be used to apply the heat to the wood because pressure is needed to guide the irons, either from the left hand or the right. The 18 sections contain many splices and require care in cross-burning, so as not to show the seams.


In order to get a firm backing, two layers of 1/2" x 4" x 8" plywood was criss-crossed back to back and laminated together with glue and screws. This required 8 -4' x 8' plywood pieces to total an 8' x 16' piece. The trim edge is 3" wide, covered with a close-knot burlap type cloth, glued to the flat portion of the 3" trim edge. The bonding of the veneer was done by four wood-draftsmen from our church. The veneer was laid out like linoleum blocks, each join and seam being fitted very closely.

 
The veneer used is native to North Carolina. It is a hardwood and called Swamp Poplar. This is used because the grain disappears when burned; when touched with the hot iron.
A 6" x 6" Redwood stock was used for the frame and ripped out to obtain 3" x 6". A 15 degree angle was cut into the front edge to obtain a shadow box effect.

 
The "color" is not applied with a brush, but it is "rubbed-in " using small lint-free cloths rolled up into a small applicator. Oil-base pigment is used and scrubbed into the pores of the veneer using both hands. Following application, a dry rag is used to wipe free all surface color. The only color visible is the buried pigment in the wood pores. The completed picture had 5 coats of flat varnish.


It is impossible to give the number of hours accumulated in this construction, as several men were involved in the final assembling after the artist had completed his work. Altogether, they would amount to several hundred "man hours".


The Last Supper Drama is held on Maundy Thursday before Easter. The realism of the scene is portrayed so vividly it takes one back in time to the Last Supper in the Upper Room. Call the church office at (480) 982-4081 for the exact date and time of the next performance.


Cuyler Thompson, the artist presented this masterpiece to Community Christian Church in memory of his brother, Harbo Thompson. The burning was dedicated November 20, 1977.
Mr Thompson trusted God to provide Divine guidance to produce the work of art. Matthew 5:16 express his purpose:

"Let your light so shine before men, that they may see your good works and glorify your Father which is in heaven."